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	<title>Comments on: My Writing Quest: Part 1 of a Billion</title>
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	<description>Bridging the gap among all forms of entertainment!</description>
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		<title>By: kjohnson1585</title>
		<link>http://www.totalmediabridge.com/my-writing-quest-part-1-of-a-billion/comment-page-1/#comment-103</link>
		<dc:creator>kjohnson1585</dc:creator>
		<pubDate>Thu, 07 Jan 2010 14:19:30 +0000</pubDate>
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		<description>Jon,

I find that as long as you give your spacemen/satyrs/make-believe characters an investment in something they truly believe in, an audience can make the connection and understand the stakes, no matter how outlandish it is. A good example is Toy Story 2 (actually, my favorite Pixar film), with Jesse&#039;s fear of being owned and, in time, being forgotten. It&#039;s ostentatiously a &quot;toy only&quot; problem, but because it is real to her, it is real to the viewer.

The key is to define your world, and sink your teeth into it. Here&#039;s a great link from the writer of The Princess and the Frog: http://makingof.com/insiders/artist/blog/rob/edwards/242</description>
		<content:encoded><![CDATA[<p>Jon,</p>
<p>I find that as long as you give your spacemen/satyrs/make-believe characters an investment in something they truly believe in, an audience can make the connection and understand the stakes, no matter how outlandish it is. A good example is Toy Story 2 (actually, my favorite Pixar film), with Jesse&#8217;s fear of being owned and, in time, being forgotten. It&#8217;s ostentatiously a &#8220;toy only&#8221; problem, but because it is real to her, it is real to the viewer.</p>
<p>The key is to define your world, and sink your teeth into it. Here&#8217;s a great link from the writer of The Princess and the Frog: <a href="http://makingof.com/insiders/artist/blog/rob/edwards/242" rel="nofollow">http://makingof.com/insiders/artist/blog/rob/edwards/242</a></p>
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		<title>By: Jon</title>
		<link>http://www.totalmediabridge.com/my-writing-quest-part-1-of-a-billion/comment-page-1/#comment-102</link>
		<dc:creator>Jon</dc:creator>
		<pubDate>Wed, 06 Jan 2010 18:22:34 +0000</pubDate>
		<guid isPermaLink="false">http://www.totalmediabridge.com/?p=358#comment-102</guid>
		<description>Good to read this update. I&#039;m curious: How do you make a completely &quot;fantasy&quot; or sci-fi movie while grounding it in a human emotional matrix?

You don&#039;t want to just make a regular drama with spacemen, but you also want that &quot;heart&quot; you talk about. So is there some middle ground between a totally fantastic, original scenario and something with real human emotion? What movies do you think pull that off? 

Best on all of your writing projects...</description>
		<content:encoded><![CDATA[<p>Good to read this update. I&#8217;m curious: How do you make a completely &#8220;fantasy&#8221; or sci-fi movie while grounding it in a human emotional matrix?</p>
<p>You don&#8217;t want to just make a regular drama with spacemen, but you also want that &#8220;heart&#8221; you talk about. So is there some middle ground between a totally fantastic, original scenario and something with real human emotion? What movies do you think pull that off? </p>
<p>Best on all of your writing projects&#8230;</p>
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